Portal 1 was flawless. Portal 2 had a crucial flaw.

Specifically, it was not Portal 1. Everything else was perfect.

Are you saying that Portal 2 is not perfect due is a sequel?

I didn’t know Chris Plante is on Lemmy.

Holy shit somehow no one has mentioned:

Nier Automata

It counts as a masterpiece because of how well it blends game design, gameplay and story. I have played very few games as thoughtful, or that weaved the gameplay together into the story it was telling in such a meaningful way. I never thought once in my life that I would think philosophically about bullet hell but somehow Nier Automata has something profound to say and even manages to say it using bullet hell as a gameplay mechanic.

On top of all this, it also has a lot to say about classical philosophers, their works, and honestly deeply subverts things they had to say. It asks tough questions about their thoughts and ideas, once again, through gameplay. Numerous characters are named for classical philosophers: Pascal, Jean-Paul, Simone, Engels, Immanuel... (Yoko Taro obviously has feelings about how Jean-Paul Sartre treated Simone de Beauvoir.)

Further, Yoko Taro is doing something that a lot of game developers fail to manage to do: He is embracing gaming as a storytelling medium and eschewing the traditional three-act arc from film. Because gaming is not film. As Marshall McLuhan posited, "the medium is the message" and unlike other developers Taro's writing is aimed at the medium he is working in instead of leaning on the ropes and tropes of other mediums. (Referring back to above, tying the gameplay into the story, focusing on the medium)

It's basically impossible to not break down into tears at the ending.

Don't write it off because of the scantily clad anime women. Stay for the depth of the human condition. It is truly a masterwork in multiple respects.

Portal/Portal 2

Deus Ex (the original)

Minecraft

Stardew Valley

Terraria

Mirror's Edge

Chrono Trigger

Cyberpunk 2077

Hades

Subnautica

A Short Hike

Donut County

I think the word you are looking for is pedant.

Better vocabulary will help get your point across better. Without also sounding like an edgy atheist teen.

::: spoiler spoiler
askldjfals;jflsad;
:::

S tier

• Lufia
• Dragon Warrior 3
• Final Fantasy 3 & 7
• Sonic Adventure
• The Guardian Legend
• Ecco the Dolphin
• Silent Hill
• Mario Kart
• Dark Cloud 2
• Chronotrigger
• Zelda: A link to the past
• Submachine (flash)

A tier

• Oddworld, Abe’s Odyssey
• Resident Evil: codename Veronica
• Banjo Kazooie
• Mario RPG
• Donkey Kong Country
• Earthworm Jim
• Battletoads
• Wizards and Warriors 2
• Megaman 2
• Populous
• One Chance (flash)
• Daymare Town (flash)
• Abadox - hardest game I ever beat

B tier

• The Lion King
• Overlord
• Oregon Trail
• Dinopark Tycoon
• Snowboard Kids
• South Park
• Kid Icarus
• Sweet Home
• Monster Party
• Dr Mario
• Abobo’s Big Adventure (flash)
• Alice is Dead Ep 1 (flash)
• Starfox
• Shadowgate

Holy shit somehow no one has mentioned:

Nier Automata

It counts as a masterpiece because of how well it blends game design, gameplay and story. I have played very few games as thoughtful, or that weaved the gameplay together into the story it was telling in such a meaningful way. I never thought once in my life that I would think philosophically about bullet hell but somehow Nier Automata has something profound to say and even manages to say it using bullet hell as a gameplay mechanic.

On top of all this, it also has a lot to say about classical philosophers, their works, and honestly deeply subverts things they had to say. It asks tough questions about their thoughts and ideas, once again, through gameplay. Numerous characters are named for classical philosophers: Pascal, Jean-Paul, Simone, Engels, Immanuel... (Yoko Taro obviously has feelings about how Jean-Paul Sartre treated Simone de Beauvoir.)

Further, Yoko Taro is doing something that a lot of game developers fail to manage to do: He is embracing gaming as a storytelling medium and eschewing the traditional three-act arc from film. Because gaming is not film. As Marshall McLuhan posited, "the medium is the message" and unlike other developers Taro's writing is aimed at the medium he is working in instead of leaning on the ropes and tropes of other mediums. (Referring back to above, tying the gameplay into the story, focusing on the medium)

It's basically impossible to not break down into tears at the ending.

Don't write it off because of the scantily clad anime women. Stay for the depth of the human condition. It is truly a masterwork in multiple respects.

RimWorld

It's low-grade trolling, chill bro. They're not serious.

I'm going to take this as "games that I never see anyone question their quality." (I don't even like all these games myself)

• Sonic 3 & Knuckles

• Kirby Planet Robobot

• Doom 2016

• Street Fighter III: Third Strike

• Pac-Man

• Balatro

• Steins;Gate

• The House in Fata Morgana

• Castlevania: Symphony of the Night

• Gran Turismo 4

• Mario Kart 8 Deluxe

• Mega Man X

• Mega Man X4

• Super Mario Bros. 3

• Hollow Knight

• Bloodborne

• Elden Ring

• Balder's Gate 3

Not a sequel. Just because it's not Portal 1. The fact that it's second is not the problem. The problem is that the first one was flawless.

Holy shit somehow no one has mentioned:

Nier Automata

It counts as a masterpiece because of how well it blends game design, gameplay and story. I have played very few games as thoughtful, or that weaved the gameplay together into the story it was telling in such a meaningful way. I never thought once in my life that I would think philosophically about bullet hell but somehow Nier Automata has something profound to say and even manages to say it using bullet hell as a gameplay mechanic.

On top of all this, it also has a lot to say about classical philosophers, their works, and honestly deeply subverts things they had to say. It asks tough questions about their thoughts and ideas, once again, through gameplay. Numerous characters are named for classical philosophers: Pascal, Jean-Paul, Simone, Engels, Immanuel... (Yoko Taro obviously has feelings about how Jean-Paul Sartre treated Simone de Beauvoir.)

Further, Yoko Taro is doing something that a lot of game developers fail to manage to do: He is embracing gaming as a storytelling medium and eschewing the traditional three-act arc from film. Because gaming is not film. As Marshall McLuhan posited, "the medium is the message" and unlike other developers Taro's writing is aimed at the medium he is working in instead of leaning on the ropes and tropes of other mediums. (Referring back to above, tying the gameplay into the story, focusing on the medium)

It's basically impossible to not break down into tears at the ending.

Don't write it off because of the scantily clad anime women. Stay for the depth of the human condition. It is truly a masterwork in multiple respects.